Visual Analysis 2

Visual Analysis 2

Understanding the real world is a difficult process. Sometimes it is easier to have a visual overlay to help process events that occur. Cultures form similarities and easily are linked together. “Panache- words and code modules, bits, bytes and temporal arbitrage.  Follow the vector across a narrative arc and feel how the net’s architecture resonates with the convergence on many cultures and styles.” (DJ-Spooky) At first glance this seems to be just a statement on the reach of global communication through the internet. However could the reference to the net mean the whole unit rather than the device of communicative movement? Code modules are the digital equality to words. To code meaning is a form of poetry. This is a hidden game in which the artist needs the viewer to discover the true meaning. Words are a way of encoding thought. The more intricate the code the deeper the meaning becomes. Art can have the same interpretation. All these encoded meanings then compete and barter for space within the computer of the mind. Now that communication has been rooted in the brain and is exploding out of thought we must address the kinetics of speech. Vector crossing narrative arcs are the algorithms of speech. Therefore the vector is implied direction and kinetics of conversation itself. Each coded word spewing forth with motion then hanging in a function block poised to execute and steer conversation into a tangent curve leading towards the next block. These processes usually exist between two parties addressing each other and the algorithm of conversation becomes the mathematical equation that molds shape and the form of the moment. The combination of other parties conversing over each other is the net whole of the woven infrastructure of communication. Then the architecture becomes evident as one algorithmic intersection occurs and changes the form of the conversational moment. But, what structural material composes the form being governed by conversation? The deep rooted sensation and emotions that brew as a result of stimulating conversation are the structured material that needs to be formed. Once formed that shape is stored away in the brain waiting for another stimulation of algorithmic motion to add to its form and complexity.

Due to the distance and spaces in between cultures the shape of communication changes. The way the culture has evolved over time directs how and in what way the mind works. In the Arab world it is from right to left. In Europe and America left to right building syllables that form sectioned meaning. In the Orient right to left, left to right, and up and down are the pictorial processes of hieroglyphs. This pictorial process formats and trains the mind n a visual basis. This training perhaps prepares the mind to intake more idea, instead of sectioned meaning that must be constantly exploded and rejoined in sentence structure. The visual intake ability has greater influence on the ability to perceive reality, dissect its meaning and understand the motion of its changes.